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Francis Bacon  (1902 - 1992)

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Bacon : Portraits and Self-Portraits

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Francis Bacon : The Human BodyFrancis Bacon : The Human Body by David Sylvester

Francis Bacon (1909-1992) is widely acknowledged as one of the greatest British artists of this century. For over fifty years the intense emotions conveyed in his works have shocked and enthralled an ever-growing audience. David Sylvester, a leading Bacon scholar, brings together many of the artist's best paintings involving the human figure, the central subject of his work. Bacon's diverse body imagery can be seen in his self-portraits; nude studies; portraits of friends such as Henrietta Moraes, George Dyer, and Lucian Freud; and his series of Popes. Many of Bacon's prototypes were "found" images: reproductions of Michelangelo, Velsquez, Degas, Muybridge's photographs of the human figure in motion, film stills from Eisenstein's Battleship Potemkin, magazine photos of politicians and boxers. Bacon disliked working directly from a model and therefore often commissioned photographs, especially from John Deakin. A prolific creator of self-portraits, Bacon painted dozens, mostly small canvases of his head. Usually three are put together to form a triptych; sometimes one appears as a solo canvas or as a unit in a triptych along with other people's heads. One of the most powerful is a full-length portrait, the Sleeping Figure of 1974, painted from a photograph of him stretched out on a hospital bed. Other paintings portray bodies wracked by violencea wailing mouth, a cry of despair. Sylvester's observations show how certain images were linked to incidents in Bacon's life, such as childhood fear of his father and his lifelong devotion to his nanny. The catalog includes paintings that date from 1945 to the mid-1980s, including single canvases and triptychs from collections around the world.

Widely acknowledged as one of the greatest British artists of this century, Francis Bacon (1909-1992) used a diverse body imagery that can be seen in his self-portraits, nude studies, portraits of friends, and his series of Popes. This catalog, published to accompany the first exhibition of Bacon's works in more than a decade, includes single canvases and triptychs from collections from around the world. 47 illustrations, 32 in color. 5 gatefolds.  

Francis Bacon : A RetrospectiveFrancis Bacon : A Retrospective by Dennis Farr, Francis Bacon (Illustrator), Michael Peppiatt, Sally Yard

This book accompanies the traveling retrospective that inaugurated the newly reopened Yale Center for British Art in January 1999. Francis Bacon (1909-1992), the eminent British painter known for his large, colorful, and grotesque paintings of the human body, was very controlling of what was written about his work during his lifetime; this book marks the first time that each painting is individually discussed in print. Included in the book are essays that provide great insight into Bacon's life and personality. Especially revealing is an essay by Michael Peppiatt, Bacon's close friend and biographer (he wrote Francis Bacon: Anatomy of an Enigma). Bacon lived a life of heavy drinking, gambling, and socializing, and Peppiatt discusses this lifestyle in relation to the work: "Bacon himself pretended he painted particularly well with a hangover. 'My mind simply crackles with electricity after one of those evenings.'"

Along with beautiful reproductions of the paintings are some photographs of Bacon's studio, which is astounding in its filth. The floor is littered with various detritus; brushes and paint tubes are everywhere. Bacon's intensity is as evident in these studio shots as in the paintings with contorted figures and grimacing, bruise-colored faces. You can practically watch the human body decay in front of your eyes. --Jennifer Cohen

Francis Bacon : Recent Paintings 1984Francis Bacon : Recent Paintings 1984 by Francis Bacon

1984 exhibition catalogue of works by Francis Bacon displayed at Marlborough Gallery New York. Includes 11 full page color reproductions, and three fold-out leafs (Triptych, 1981; Triptych 1983; and Diptych 1982-84 [Study of the Human Body- From a drawing by Ingres, 1982 and Study from the Human Body, 1982-84). Includes list of exhibitions and bibliography up to 1984

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Bacon, Francis (1909-1992)
PAINTER

Destined to become one of the 20th century's most important painters, Bacon left his home in Dublin for London when his family discovered he was having sex with grooms in his father's horse stables. After a decade of travel and a work as a furniture and rug designer his self-taught ability to paint made him a sensation on the London art scene with the an exhibition of his work including Three Studies. That work would be indicative of the pieces that would follow, like Three Studies most of his paintings depict male figures made to look as if they are exploding or decaying.

Bacon's sexuality was obvious in his work, though he shunned traditional homoeroticism. The influence of his work and non-traditional beliefs became evident in later transgressive queer culture, most notably in literature.

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