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Films about Queer History

 

Michael Bennett  (1943 - 1997)

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A Chorus Line

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A Chorus Line (1975 Original Broadway Cast) A Chorus Line:  Original Cast Recording

Michael Bennett's 1975 tale of Broadway's gypsies--the chorus dancers--resonated with audiences as few shows ever have, examining with both hilarity and heartbreak the grueling life of ordinary performers always auditioning for an opportunity to be members of a faceless chorus line. And along the way, it picked up the Pulitzer, the New York Drama Critics Award, and nine Tonys, and became the longest-running show in Broadway history. The original cast (eight of whom contributed their real-life memories to the show) included no major stars, but are unmatched on this cast recording of Marvin Hamlisch and Edward Kleban's score, including Priscilla Lopez's poignant "Nothing," Donna McKechnie's yearning dance number "The Music and the Mirror," one of Broadway's most famous torch ballads in "What I Did for Love," and the ultimate high-kicking chorus number, "One." Fans of the show will welcome the 1998 remastered CD, which adds two and a half minutes to "Hello Twelve, Hello Thirteen, Hello Love." While still incomplete, the montage now includes "Four-foot ten," "Little brat," and "The worst thing in school...." --David Horiuchi 

Promises, PromisesPromises, Promises:  Original Cast Recording

In the late '90s, Burt Bacharach--thanks to a boxed set, new collaborations, and numerous reissues--just keeps popping up. And for good reason: his music is nostalgic, filled with great melodies, and instantly recognizable. For many, he's the essence of pop. Promises, Promises, the composer's 1968 Broadway collaboration with lyricist Hal David, is based on the 1960 Billy Wilder film, The Apartment, written by Neil Simon. Jerry Orbach's performance as Chuck Baxter is powerful (it also won him a Tony Award), and though some of the music in Promises, Promises is dated, it's simply infectious. As Fran Kubelik, Jill O'Hara (Hair) performs reflective numbers such as "Whoever You Are" and "I'll Never Fall in Love Again." Bacharach's title theme (a hit for Dionne Warwick) sounds better than ever here--both performed instrumentally and sung by Orbach. At 45 minutes, it's a short listen, but for fans of Bacharach or Broadway, it's highly recommended. --Jason Verlinde

FolliesFollies: Original Broadway Cast 

The scene: an abandoned theater, where a group of performers--alumni from the fictional musical revue The Weismann Follies--is holding a reunion shortly before the building is to be turned to rubble. The long-retired players relive their careers through Stephen Sondheim's brilliant pastiches of past songwriters, sometimes accompanied in song or dance by the ghosts of their previous selves. At the same time, four of the people (two married couples) are remembering their pasts and wondering whether they chose their spouses--and the course of their lives--correctly. The 1971 original cast of Follies included many former Broadway and Hollywood stars--Dorothy Collins, Gene Nelson, Alexis Smith, Mary McCarty--and the pedigree and sheer size of the cast kept the show from profitability despite a decent run (and also keep it from being frequently revived).

This recording of Stephen Sondheim's legendary show has become something of a legend itself. The score included 22 songs, but because the cost of recording a two-LP set was considered prohibitive, a number of songs were omitted and others were abridged. As a result, this too-brief 58 minutes can't be considered the final statement on Follies (for more music, try the uneven but sometimes electric 1985 concert recording or the 1998 New Jersey revival), but listen to Yvonne DeCarlo sing the anthem "I'm Still Here" or Collins sing the heartbreaking "Losing My Mind" and you'll know that the original cast had a special magic that has yet to be surpassed. --David Horiuchi

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Bennett, Michael (1943 - 1997)
BROADWAY DANCER, DIRECTOR, CHOREOGRAPHER

From Musicals101.com:

Excerpt:

Michael Bennett is considered one of Broadway's all-time greatest choreographers. He was born in Buffalo on April 8, 1943, just eight days after the opening of Oklahoma! (often sited as the first musical to properly incorporate theatre dance). Bennett's "Broadway gypsy" career began in the chorus of Subways Are For Sleeping (1961), went on to Here's Love (1963) and ended with Bajour (1964). For a dancer, this was not much of a career. However, it was with choreography and direction Bennett found his place on stage.

Bennett became a choreographer in 1966 with the short-lived A Joyful Noise, for which he earned his first Tony nomination. Next came Henry Sweet Henry (1967) and another Tony nomination. Promises, Promises (1968) was a hit, and gave Michael yet another nomination. The next year was Coco (1969), another hit and another Tony nomination. Then came the smash Company (1970), and for the fifth year in a row Bennett had another nomination and another loss.

Finally, Bennett hit it big with Follies (1971). He choreographed and co-directed this musical about aging performers. He won two Tony awards for the work, and some feel that the dance for the number "Who's That Woman?" was arguably the best number in Broadway history. That same year he also directed the straight play Twigs. Two years later, another Tony for choreography was awarded to Bennett for Seesaw.  And then came A Chorus Line...

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Related Resources:

Choreography
Dance

 

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