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Films about Queer History

 

Rosa Bonheur  (1822 - 1899)

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Rosa Bonheur : The Artist's (Auto)Biography

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Rosa Bonheur : All Nature's Children by Gabriel P. Weisberg  

In one dictionary of art, Rosa Bonheur (1822-1899) is given only eight lines and dismissed as a "minor French animal painter." In another, she is lauded (along with Edwin Landseer) as "the most famous animal painter of the 19th century." In this illustrated catalog for a French and American traveling show of 58 paintings, prints, drawings and sculpture by or about Bonheur (who dared to wear trousers and smoke cigarettes in public), she is described as someone who today would be a lesbian, a self-publicist (like her friend Buffalo Bill), and a defender of animal rights. She was also the most gifted member of an amazing family of artists, led by her father, the painter Raymond Bonheur, who (like Charles Willson Peale) set up an artistic workshop in which four of his children (Rosa, Auguste, Isidore, and Juliette) were trained in the manner of Renaissance artists. But all that is long forgotten, and if anyone today has heard of Rosa Bonheur, it is inevitably because of her finest and most famous painting, The Horse Fair (1853). Purchased by Cornelius Vanderbilt, it was brought to the U.S. (where her artistic abilities and personality "meshed with American interest in innovation and bravura") and now hangs in the Metropolitan Museum of Art. -- Reviewer: Roy R. Behrens (see more about me) from Ballast Quarterly Review, Vol 14 No 1, Autumn 1998

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Women, Art, and Society (World of Art)Women, Art, and Society (World of Art) by Whitney Chadwick

Of course you've heard of Michelangelo, Rembrandt and Degas, but what about Artemisia Gentileschi, Judith Leyden and Berthe Morisot? If you left college art history classes wondering why women are so often the subject of Western art but so rarely its creators, this book will prove fascinating. In her comprehensive, readable and richly illustrated text, Whitney Chadwick examines not only the works of little-known but extremely gifted women artists, but the strategies by which women have been excluded from the traditional canon of "great artists." She points out numerous instances in which a woman's works have been attributed to her less talented father, lover or simply another, more famous male contemporary. Most importantly, Women, Art and Society illuminates a wonderful world of art which can speak for all of us-from a woman's perspective. -- Naomi Yavneh 

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Women Artists : Works from the National Museum of Women in the ArtsWomen Artists : Works from the National Museum of Women in the Arts by Nancy G. Heller

Written by best-selling author and art historian Nancy Heller and featuring the most noteworthy artists and works of the country's preeminent women's art museum, the National Museum of Women in the Arts in Washington, D.C., Women Artists is the definitive volume on the history of women in art. Spanning over 500 years, from the Renaissance through the present, this beautifully designed volume features portraits, biographical backgrounds, and discussions of the work of eighty-six artists, exploring their art within the historical context in which it was created. End notes and a complete listing of the museum's 2,600 holdings are included as well, making this book the most dynamic and authoritative volume on women artists ever published.

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Bonheur, Rosa (1822-1899)

PAINTER

Bonheur began painting as a youth in France under the tutelage of her father, her work began appearing in salons while she was still a teenager. By the 1850s her work became renown. 

The Horse Hair by Rosa Bonheur Queen Victoria requested one of Bonheur's paintings, The Horse Fair, be hung in Windsor Castle and in 1865 she became the first woman to receive the cross of the Legion of Honor.

Bonheur shared an home with her lifelong companion Nathalie Micas. After Micas' death she began a relationship with Anna Klumpke, whom she called her "wife." The three women's ashes are buried together in Père Lachaise Cemetery in Paris.

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