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William S. Burroughs (1994
- 1997)
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Gentleman
Junkie : The Life and Legacy of William S. Burroughs by
Graham Caveney
There have been
several solid conventional biographies of William S. Burroughs
(1914-1997), and this imaginative consideration of his "life
and legacy" does not seek to replace them. Instead, British
scholar Graham Caveney concentrates on Burroughs as a cultural
phenomenon whose unsettling ability to depict personal degradation
with modernist detachment first awed contemporaries in the beat
generation and continued through the 1990s to inspire artists as
diverse as grunge rocker Kurt Cobain, painter Keith Haring, and
film director David Cronenberg. Even before Naked Lunch
became a literary and legal cause célèbre--the book was
ultimately judged not obscene in a landmark 1966 court
decision--Burroughs was a legend in avant-garde circles for his
epic drug use, unabashed homosexuality, and adventurous prose. In
later years he became an elder statesman of the counterculture, an
icon of excesses survived, revered for his unflinching portraits
of the existential abyss. Caveney astutely examines the appeal for
Americans of this complex figure whose highly experimental work
had more in common with that of such Europeans as Jean Genet than
with pals like Allen Ginsberg. The book's design reflects its
genre-bending aspirations: Caveney's text jostles against
reproductions of photos, newspaper clippings, and other documents,
all of it laid out on pages colored red, orange, yellow, and blue.
Words, images, and colors form an inventive whole that pays
fitting tribute to a man who lived entirely by his own rules. --Wendy
Smith
The
Beat Hotel : Ginsberg, Burroughs, and Corso in Paris, 1958-1963 by
Barry Miles
The Beat Hotel has been closed
for nearly forty years. But for a brief period --from just after
the publication of Howl in 1957 until the hotel was sold, in 1963
-- it was home to Allen Ginsberg, William Burroughs, Gregory Corso,
Brion Gysin, Peter Orlovsky, Harold Norse, and a host of other
luminaries of the Beat Generation. Now, Barry Miles -- the
acclaimed author of many books on the Beats and a long-time friend
of many of them -- vividly excavates this remarkable period and
restores it to a historical picture that has, until now, been
skewed in favor of the two coasts of America. A cheap rooming
house on the bohemian Left Bank, the Beat Hotel was inhabited
mostly by writers and artists, and its communal atmosphere spurred
the Beats to incredible heights of creativity. Its inhabitants
followed the Howl obscenity trial, and they corresponded with Jack
Kerouac as On the Road was taking off. There Ginsberg began "Kaddish"
and wrote "To Aunt Rose," "At Apollinaire's
Grave," and "The Lion for Real" and Corso developed
the mature voice of The Happy Birthday of Death. The Beat Hotel is
where the Cut-up method was invented, and where Burroughs finished
and published Naked Lunch and the Cut-up novels. From a party
where Ginsberg and Corso drunkenly accosted Marcel Duchamp and Man
Ray, to an awestruck audience with Louis-Ferdinand Celine a year
before he died; from a drug-addled party on a Cannes houseboat
with Errol Flynn and John Huston, to Burroughs's near arrest as a
heroin dealer; mischief, inspiration, and madness followed the
Beats wherever they went. Based on firsthand accounts from
diaries, letters, and many original interviews, The Beat Hotel
is an intimate look at a crucial period for some of the twentieth
century's most enduring and daring writers.
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Burroughs, William S. (1914-1997)
WRITER,
ACTOR
Burroughs studied English at Harvard University
and medicine at the University of Vienna and took many jobs before
devoting himself to the experimental writing and drug use as part
of what would later be known as the Beat Generation.
In 1938 Burroughs married Ilse Klapper in order
to get a U.S. visa and avoid being sent back to Nazi Germany from
Yugoslavia. Back in the United States, he worked in advertising,
at a detective firm and as an insect exterminator before moving to
New York City where he met Allen Ginsberg and Jack Kerouac - two
years later the three became roommates.
Burroughs had affairs with both men and women.
His most serious relationship was with Joan Vollmer whom he
accidentally shot in the head and killed performing a
"William Tell act" at a party.
Burroughs work, in large part, revolves around drug
use - he was a heroin addict - and sexuality and includes: Port of Saints,
Naked
Lunch, The
Wild Boys, Cities
of the Red Night, and many
more.
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An electronic reference guide to works of William
Seward Burroughs, his literary works, recordings, film, video
appearances, samples, and other publications.
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The Last Words of Dr. Benway in Memoriam to
William S. Burroughs
Excerpt:
William Burroughs was born on February 5, 1914,
in St. Louis, Missouri, the grandson of the inventor of the
Burroughs adding machine. After his graduation from Harvard, he
lived in Chicago and New York on an income of two hundred dollars
a month from his parents. He met Lucien Carr and Allen Ginsberg in
New York City around Christmas 1943 shortly after Ginsberg began
studying at Columbia, and Burroughs impressed them with his
erudition, as well as his sardonic humor and reserved poise. Older
than the others in the group, he took on the role of teacher,
encouraging Kerouac and Ginsberg in their attempts to write
fiction and poetry...
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By Richard Kadrey and Suzanne Stefanac
Excerpt:
William Burroughs' raw-boned figure haunted us
long before his death. For nearly half a century, he infected our
literature, seeding it with his obsessions, suspicions and
passions. In his brutal honesty, we began to learn something new
about truth and humor and maybe even love.
Of the many authors who have acknowledged his
influence, few have been as unflinching or provocative as J.G.
Ballard. From the chromey auto-eroticism of "Crash" to
the surrendered innocence of "Empire of the Sun,"
Ballard has refined a style that cuts through the moralism and
sentimentality that blunt so much contemporary writing...
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Names Index:
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