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Films about Queer History

 

Bruce Chatwin (1940 - 1989)

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Anatomy of Restlessness : Selected Writings 1969-1989

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Bruce ChatwinBruce Chatwin by Nicholas Shakespeare

Bruce Chatwin was the golden child of contemporary English letters. Paradoxically, however, his books appeared relatively late in his life: until 1977, when the 37-year-old author published In Patagonia, this precocious, intense figure had occupied himself as an art specialist at Sotheby's, a journalist with the Sunday Times, an archaeologist, and a restless, perennial traveler. Once he got started, of course, Chatwin made up for lost time. By 1989, when he died of an AIDS-related illness, he had produced seven books--including two superb novels and his sui generis masterpiece, The Songlines -- and won himself a worldwide audience.

As Nicholas Shakespeare makes clear in Bruce Chatwin, his subject remained an obsessive art collector long after he left Sotheby's. He was no less assiduous when it came to the acquisition of human trophies, taking both male and female lovers throughout the course of his marriage. Many a wife might have resented these magpie impulses--and indeed, Elizabeth Chatwin and her errant spouse endured some rocky times. Yet she remained touchingly loyal to him, and it was her cooperation and tenacity that enabled this biography to come about. Shakespeare captures the author's peculiar charisma and his tendency to transform everything--friendships, landscapes, meals, journeys--into aesthetic artifacts. Even when Chatwin experiences a writer's block while working on The Viceroy of Ouidah, he does it with style:
 

To try to finish the book, Bruce rented a house in Ronda for five months: "an exquisite neo-Classical pavilion restored by an Argentinean architect who has run out of money." He wrote in longhand on 20 yellow legal pads, refilling his Mont Blanc from two bottles of Asprey's brown ink.
There is excellent, evocative writing throughout Shakespeare's biography. The passages describing Chatwin's miserable death are both harrowing and deeply moving, but Shakespeare is no less adept at conveying, say, his subject's disappointment at failing to win the Booker Prize for Utz. (Chatwin cheered up considerably when a friend told him that Alberto Moravia had given the book a glowing thumbs-up in an Italian newspaper.) What comes across most, perhaps, in this immense and excellent life, is the complete aloneness of the man, an almost impenetrable solitude. Australian poet Les Murray may have had the last word when he noted: "He was lonely and he wanted to be. He had those blue, implacable eyes that said: 'I will reject you, I will forget you, because neither you nor any other human being can give me what I want.'" --Catherine Taylor

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What Am I Doing HereWhat Am I Doing Here by Bruce Chatwin

This is the last of Bruce Chatwin's works to be published while he was still alive (he penned the introduction in 1988, a few months before he died). It's a collection of Chatwin gems--profiles, essays, and travel stories that span the world, from trekking in Nepal and sailing down the Volga to working on a film with Werner Herzog in Ghana and traveling with Indira Gandhi in India. Chatwin excels, as usual, in the finely honed tale.

Here is a journey into the interior of a celebrated novelist and traveler, charged with all of the narrative power and intellectual challenge of his fiction.

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Bruce Chatwin

From The Knitting Circle

Excerpt:

At the age of 25, much to the surprise of many of his friends he married Elizabeth Chanler who he knew at Sotheby's. They had no children and Bruce Chatwin appears to blame this on his own sterility without actually being tested. After fifteen years of marriage she asked for a separation and sold their farmhouse in Gloucestershire. However, towards the end of Bruce Chatwin's life their relationship resumed.

He developed AIDS but went to great lengths to hide the fact...

 

Bruce Chatwin:  A Tribute

By Kerry Ross Boren

Excerpt:

He has been called the greatest novelist since Hemingway, and the foremost travel writer of modern times. The American novelist John Updike has described his style as "a clipped lapidary prose that compresses worlds into pages." It is no exaggeration; there were worlds within Bruce Chatwin.

Bruce was a friend of mine. Probably no other person I have ever known had a more profound effect upon my career as a writer, or upon me personally. Certainly I am not alone in this. The novelist Andrew Harvey noted in a New York Times review of Bruce's last travel book, "The Songlines" (1987), "Nearly every writer of my generation in England has wanted, at some point, to be Bruce Chatwin, wanted to be talked about, as he is, with raucous envy; wanted, above all, to have written his books..."

  

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