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Films about Queer History

 

Jack Cole (1911 - 1974)

Online Resources
Texts & Media:  Choreography
Texts & Media:  Jazz Dance
Texts:  Queer Histories
Texts:  Authors Index
Films:  Queer History
Used Books:  LGBT Studies
      

      

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Jazz Dance : The Story of American Vernacular Dance

Names Index:
A
B C D E F G H I J K L M N O P Q R S T U V W X Y Z
| Authors Index | Scholars Index |

The Jazz and Blues Lover's Guide to the U.S. : With More Than 900 Hot Clubs, Cool Joints, Landmarks and Legends, from Boogie-Woogie to Bop and BeyondThe Jazz and Blues Lover's Guide to the U.S. : With More Than 900 Hot Clubs, Cool Joints, Landmarks and Legends, from Boogie-Woogie to Bop and Beyond by Christiane Bird

This guide to more than 900 "hot clubs, cool joints, landmarks and legends, from Boogie-Woogie to Bop and Beyond" offers a lot in a small package-an important slice of musical history; a travel guide; interesting social commentary, particularly about race relations in this country; and entertaining anecdotes. Christiane Bird bemoans the fate of blues and jazz, which as America's most original art form, has never attained the kind of sustained attention it deserves. Her book really is a celebration-an inside look at all the places where jazz and blues live-national clubs that pull in talent from all over the country, the little hole-in-the-wall places that feature local talent and the yuppie in-betweeners. Splitting the country into regions, and within each, larger cities, chapters briefly outline a particular city's jazz and blues history, mention locations of musical landmarks, and then cover the music scene as it is now (including record stores, radio shows, etc.). Specific entries on clubs include address, description and ambience, who plays there regularly, and other pertinent data. Written in an easygoing, intelligent style, this is a top notch guide for finding your way to the best of the best blues and jazz spots across the country.  -- From The WomanSource Catalog & Review: Tools for Connecting the Community for Women; review by PH

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There's No Business Like Show Business (1954) There's No Business Like Show Business (1954)

An Irving Berlin musical about a "show-biz" family. Tunes include the famous title song as well as "Remember," "Heat Wave," "Play a Simple Melody."

Starring: Ethel Merman, Donald O'Connor, et al.
Director: Walter Lang
Choreographed by Jack Cole

 Academy Award Nominations: Best Motion Picture Story, Best Scoring of a Musical Picture, Best (Color) Costume Design.

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Gentlemen Prefer Blondes (1953) Gentlemen Prefer Blondes (1953)

Anita Loos's old story from the 1920s about a pair of single women in search of husbands gets a makeover in Howard Hawks's 1953 musical, starring Jane Russell and Marilyn Monroe as friends who go to Paris looking for mates. The film is charged by Hawks's stylish snap, a famous set piece or two (Monroe descending that staircase while singing "Diamonds Are a Girl's Best Friend"), Russell's wit, and songs by Leo Robin and Jule Styne. The film may largely be a fluff project best remembered as a showcase for its leading actresses, but then Monroe and Russell rarely got such extended opportunities to prove that they were more than cinematic icons. --Tom Keogh

Starring: Jane Russell, Marilyn Monroe, et al.
Director: Howard Hawks
Choreographed by Jack Cole

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Jack Cole (1911 - 1974)

DANCER, CHOREOGRAPHER

Cole choreographed the films The Merry Widow, No Business Like Show Business, Kismet, and Gentlemen Prefer Blondes.  He also choreographed several musicals on Broadway.

 

Jack Cole

A Short biography of the "Father of Jazz Dance" from the Jazzart Jazz Dance Hall of Fame

Excerpt:

Jack Cole was born as John Ewing Richter in 1911 in New Brunswick, NJ, and spent his early years in Catholic schools and a military academy. It is felt that he developed a sense of inadequacy and a compulsive personality due to having a partially crossed eye, which was later corrected by surgery. Cole enrolled at Columbia University in New York, but soon left school to pursue a dance career after having witnessed a performance by the Denishawn dance company. He was taken in by Ruth St. Denis and Ted Shawn, and spent time learning and performing the psuedo-oriental movement repertory of the Denishawn troupe. Cole also performed with Doris Humphrey and Charles Weidman, and in Massachusetts with Ted Shawn's all-male dance company...

  

Click here for Resource Query Click HERE for Sources for the Biographies

Names Index:
A
B C D E F G H I J K L M N O P Q R S T U V W X Y Z
| Authors Index | Scholars Index |

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