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Donna Deitch
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Desert
Hearts (1985, 93 min, US)

When college professor
Vivian Bell (Helen Shaver) arrives in Reno in 1959 to get a
quickie divorce, the last thing on her mind is romance. A prim
intellectual, crippled by a sterile marriage ("We're a
professional couple") and hiding behind her education, she
moves into a ranch belonging to Frances Parker (Audra Lindley) and
tries to keep to herself. But Parker's beautiful, sassy tomboy of
a stepdaughter proves to be quite a distraction, and a love affair
slowly blossoms. Cay (Patricia Charbonneau) refuses to be bound by
convention or by expectations of how a nice girl should behave,
and her devil-may-care attitude both attracts and terrifies the
nervous professor.
Shaver is terrific as Vivian, and the slow
thawing of her character is beautifully paced--you can feel the
tension break when she finally lets down her guard. Another strong
performance comes from Audra Lindley as Frances. She's a tough old
bird with a drinking problem, but Lindley keeps the character from
descending into stereotype, and she gives full rein to the tragic
side of this lonely woman, especially as she struggles with her
reaction to the developing relationship between Cay and Vivian.
There are scenes in Desert Hearts that
would be painfully clichéd if they appeared in a heterosexual
romance, and even here they only just escape that fate--relying a
little too much on significant glances and lines that just don't
sound like real conversation. Nevertheless, first-time director
Deitch breathes new life into a standard
straight-arrow-meets-free-spirit plot, and steadfastly refuses to
turn this love story into an "issues movie." Add to that
a strong feel for the period and a soundtrack filled with the
likes of Patsy Cline and Gene Vincent, and the result is a warm,
well-acted film that packs a real emotional punch. --Simon
Leake
An American lesbian classic!
Desert Hearts was trail-blazing in its positive depiction
of a love affair between two intelligent and attractive women. An
uptight English professor travels to Reno to get a divorce (the
film is set in 1959), and there meets a sexy, free-spirited
sculptress. Their attraction for each other and their budding love
is played out in a realistic, romantic and all-together sensuous
fashion. Helen Shaver and Patrice Charbonneau in the leads both
give warm, expansive performances.
Director: Donna Deitch
Starring: Helen Shaver, Patrice
Charbonneau, Audra Lindley, Gwen Welles
Common
Ground (2000, 105 min, US)
A "Showtime" film of three short plays
about the emerging gay culture by three of America's great gay and
lesbian playwrights; Paula Vogel, Terrence McNally (Love! Valor!
Compassion!) and Harvey Fierstein (Torch Song Trilogy)
Donna Deitch's (Desert Hearts)
entertaining and informative new film was made to show how
straight and gay America have interacted with each other for the
past 50 years; how we've changed, and how much further we have to
go. The first segment, "A Friend of Dorothy" by Pulitzer
Prize winning playwright, Paula Vogel, is set in an America, fresh
from WWII in the early '50's. Joe McCarthy was railing against
Communists in the State Department and the Navy was ridding itself
of undesirables, like our heroine, Dorothy (Murphy) and her
adorable gay buddy Billy (Priestley). Dorothy wasn't sure if she
even was a lesbian, but the gay bar she was in sure seemed like
home! After her dishonorable discharge she went to a less friendly
home in Homer, Conn. As news of her sexual deviancy spread around
town, the only warm face was that of closeted lesbian Mrs. Nelson
(Kidder) who gave her some money and sent her down to Greenwich
Village.
Tony Award winning playwright Terence McNally's
piece, "Mr. Roberts" is set in a country rife with an
anti-war movement and a people who are beginning to question some
of the dominant paradigms, including homophobia. Monsieur Robert
(Weber) is a closeted French teacher at Homer High School, and his
prize student, Toby (Thomas) is dealing with issues of coming out
and being attacked at school for his sexuality. At the risk of
ruining his career Roberts decides to help his young student; he
comes out in the classroom and we are in a new era.
The third play is Tony Award winning Harvey
Fierstein's :"Amos and Andy" about two upwardly mobile
gay men who decide to get married, much to the chagrin of Andy's
dad Ira (Asner). Ira raises a fuss in Homer and all the bigots
come out to protest, looking foolish as the groom's dad walks down
the aisle with his son anyway. Andy asks "…is this
equality?" leaving us room to examine what the next steps are
in the gay and lesbian civil rights battle. A worthy film filled
with education for people who need it, and entertainment for the
rest of us.
"Director Donna Deitch triumphs with this
homespun drama." -- Barry Walters, Rolling Stone
Director: Donna Deitch
Starring: Ed Asner, Beau Bridges, Harvey
Fierstein, Margot Kidder, James LeGros, Jason Priestley, Mimi
Rogers, Helen Shaver, Eric Stoltz, Jonathan Taylor Thomas, Steven
Weber, Brittany Murphy
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Donna Deitch Filmography
 | Common Ground (2000) TV
 | Devil's Arithmetic, The (1999) TV
 | Angel on My Shoulder (1997)
 | "Total Security" (1997) TV Series
 | "Visitor, The" (1997) TV Series,
episode "Devil's Rainbow, The"
 | "Murder One: Diary of a Serial
Killer" (1997) TV Series
 | "EZ Streets" (1996) TV Series,
episode "Every Dog Has Its Day"
 | "Murder One" (1995) TV Series
 | Criminal Passion (1994) ... aka Angel of
Desire (1994)
 | Change of Place, A (1994) TV
 | "ER" (1994) TV Series, episodes
"Full Moon, Saturday Night" (1995), "Home"
(1995)
 | "NYPD Blue" (1993) TV Series
 | Sexual Advances (1992) TV
 | "Veronica Clare" (1991) TV Series
 | Prison Stories: Women on the Inside (1991) TV |
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 | Women of Brewster Place, The (1989) TV
 | Desert Hearts (1985)
 | Woman to Woman (1975) |
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An Interview with Director Donna Deitch
by Loren King for PlanetOut.com
Excerpt:
Ask any lesbian film buff of a certain age to
name her favorite sex scene in any movie and odds are she will
answer Desert Hearts. The famous love scene between stars
Helen Shaver and Patricia Charbonneau was a milestone of romantic
heat and breathless realism at a time (1986) when positive lesbian
images in films were much rarer than they are today and the ones
that did exist (Personal Best, Lianna) sprang from the
imaginations of men.
"I feel good about that love scene. I felt good then, but I
feel even better now because I see how easy it is to fail,"
says Donna Deitch, Desert Hearts writer/director. "At
the time, fear was not part of the equation ... it's hard to pull
off a love scene with heat. [In Desert Hearts], it is a
real scene that builds with sexual and emotional tension..."
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by Gail Shister for The
Advocate
Excerpt:
As Common Ground director Donna Deitch
tells it, when actor Brian Kerwin and his manager A.D. Oppenheim
pitched Showtime the idea of a three-part gay-themed movie by
three gay playwrights, the cable network told them they had a deal
if they could pull together three acceptable writers. How’s this
for acceptable? Kerwin recruited Harvey Fierstein, in whose
Tony-winning Broadway play, Torch Song Trilogy, he had
performed. Fellow Tony recipient Terrence McNally (Love! Valour!
Compassion!) and Pulitzer Prize winner Paula Vogel (How I
Learned to Drive) followed. Presented with that literary
firepower, Showtime programming chief Jerry Offsay grabbed his
green-lighting pen—the first time he had ever done so for a
movie with no actors attached...
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Names Index:
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G H
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