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Jewelle Gomez

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Don't Explain : Short Fiction

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Forty-Three Septembers : EssaysForty-Three Septembers : Essays by Jewelle Gomez

These essays recall Gomez's 43 years as a black woman, writer, and lesbian-feminist and acclaim the integration of identities in a shifting world that often prefers the simplistic to the complex and authentic. "For me in my forties," Gomez writes," with no children, no property, no savings, embracing the nontraditional roles of lesbian, African-American writer, and the enigmatic gaze of my mother, I am frightened of middle age. If I reject the traditional perception of who I am, who I was supposed to be, with what do I replace it? . . . My mind says there's really no limit. I write, I work as an activist. . . . But to identify myself as only what I do is a mistake that men have made too often throughout history. So what do I make of myself?" She remembers her Catholicism and the power of its passion and ritual; the word bulldagger spoken acceptingly by her grandmother, thus giving the teenage girl a term for her identity; and the trials and exhilaration of learning to swim. These compelling meditations about identity, forebears, aging, and the costliness of silence constitute a story of faith. Whitney Scott, From Booklist

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The Gilda Stories : A NovelThe Gilda Stories : A Novel by Jewelle Gomez

The Gilda Stories is an elegant, sensual, and natural vampire fantasy. Time-traveling from Southern slavery in 1850 to environmental devastation 200 years later, Gilda is the quintessential outsider seeking community. Jewelle Gomez combines a natural flair for storyteller with an ability to weave tapestries of personality that grab the mind's imagination and won't let go. A memorable story, deftly told. -- Midwest Book Review

"This remarkable novel is about a runaway slave girl in the 1850s who is befriended by 2 enigmatic women who run a brothel. The two women help the girl and make her like themselves, as vampires. The girl takes the name Gilda (from one of the two) and spends the next 200 years searching for a place to call home, for love, and for greater meaning in the world. Gomez has created an amazing tale that is utterly intriguing. I wanted to love it more, but sometimes the story almost worked against itself by moving too quickly from time period to time period without giving us (and Gilda) a chance to really connect. I heartily recommend this book because of the many thought-provoking points Gomez introduces. It's quite a tasty story." -- Anonymous Review

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Best Lesbian Erotica 1997 (Annual)Best Lesbian Erotica 1997 (Annual) by Jewelle Gomez (Editor), Tristan Taormino (Editor)

As irreverent and sexy as last year's edition, Best Lesbian Erotica 1997 promises stories that may even outshine works by that list of contenders, which included such luminaries as DOrothy Allison, Pat Califia, Kate Bornstein, Lucy Jane Bledsoe and lots of hot, new voices.

Several years ago finding lesbian erotica was as difficult as locating a liberal at the National Republican Convention. It may have been there, but it stayed out of sight. This has been rectified with the publication of several anthologies of lesbian erotic writing, the most prominent of which has been Best Lesbian Erotica, edited by Tristan Taormino. This second volume, featuring stories selected by Jewelle Gomez, is a fine collection that includes the romantic and the perverse, the sublime and the athletic. Writers such as Chrystos, Jenifer Levin, Heather Lewis, and Kitty Tusi have produced stories that will evoke a number of responses.

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Jewelle Gomez

From jewellegomez.com

This is the author's homepage.  Site Includes a biography, information about Gomez's writings, current and upcoming projects, contact information and more.

Excerpt:

Jewelle Gomez is a writer and activist and the author of the double Lambda Award-winning novel, The Gilda Stories from Firebrand Books. Her adaptation of the book for the stage -- Bones & Ash: a Gilda Story---was performed by the Urban Bush Women company in 13 U.S. cities.

She is the recipient of a National Endowment for the Arts literature fellowship and two California Arts Council fellowships.

  

FACE 

by Jewelle Gomez, queerculturalcenter.org

Excerpt:

In some animals, including humans, looking directly into another's face is a sign of aggression. Meeting eye to eye implies confrontation. Our fur bristles and adrenaline flows. To face down, face off--each are euphemisms for trouble. But why doesn't meeting the gaze of another suggest curiosity instead? How can we as people and as artists ever know the world around us without close examination and exploration. The face, whether painted, pierced or mutilated, is a door to us, an opening to who we might be. but the door is one we often seem determined to lock tight against all. As queers in U.S. society our political impulse has careened wildly between burrowing into the anonymity of a shadow world on one hand and on the other--grabbing every light source within reach to put an end to our invisibility. Almost 30 years after the U.S. queer movement found it's iconographic moment--Stonewall--we're still trying to find out who we are behind the marches and slogans. Not just who should represent us, but what is the "us." Are we the blond and abashed Ellen, the dark objects of Mapplethorpe's gaze or the sisters of Perpetual Indulgence? Would Radclyff Hall, Cole Porter or James Baldwin ever invite us over for cocktails? What do we look like?

  

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