|
|
Rob Halford (1951 - )
|
|
|
Names Index:
A B
C D
E F
G H
I J
K L
M N
O P
Q R
S T
U V
W X
Y Z
| Authors
Index | Scholars
Index |
|
Rock
on the Wild Side : Gay Male Images in Popular Music of the Rock
Era by Wayne Studer
What #1 hit by Elvis Presley contained a blatant
suggestion of male-male sex--way back in 1957? Which Beatles songs
allude to homosexuality? Can you name two Top 20 hits about drag
queens? What smash from 1974 has been called "the greatest
gay love song ever written?" Which popular rock songs are
tainted by homophobia? Which country songs refer to gay people?
And who are some of the openly gay performers who've succeeded in
the world of rock music?
The answers to these and countless other
fascinating questions can be found in Rock on the Wild Side,
an entertaining and informative look at more than 200 songs of the
"Rock Era" that describe gay men or express various
attitude about gayness. Your record, tape or CD collection may
never sound quite the same again. Illustrated with more than two
dozen photos of such stars/groups as Boy George, David Bowie,
Elton John, Kinks, Kitchens of Distinction, Johnny Mathis, Queen,
Lou Reed, Tom Robinson, Romanovsky & Phillips, Rupaul, Village
People, Tom Wilson Weinberg, Flirtations, Pet Shop Boys...
|
|
The Official Website for Halford, Rob Halford and his projects.
|
|
From VH1.com
Excerpt:
Fans were apprehensive when Halford departed
Priest in '91, but War of Words, the first album from his
post-Priest band Fight, eased their fears with an all-out assault
reminiscent of Pantera. However, the second Fight album, A
Small Deadly Space, veered unsuccessfully toward grunge, while
his next project, Two, was a critically reviled Goth/industrial
misfire that found Halford trading his leather for boas and black
eyeliner. Halford, whose homosexuality was a poorly kept secret in
the music industry, also came out publicly during this period, a
brave move that may have further alienated his original,
notoriously homophobic fan base...
|
|
From The Knitting Circle
Excerpt:
Rob Halford was inspired by the more aggressive
music of bands like Pantera, Skid Row, and Metallica,
and he formed the group Fight to produce music which he
thought was not appropriate for Judas Priest. However
arguments with other members of Judas Priest led to him and
the drummer Scott Travis leaving the band. Fight toured and
produced albums including A Small Deadly Space with lyrics
that touched on AIDS...
|
|
From The
Boston Phoenix
Excerpt:
Of course, one of the more personal events of
Halford's sabbatical from metal was his revelation that he's gay.
"It came across in one of two respects: either `Duh, we knew'
or `Oh really? That's kind of interesting, but who cares?'
Fortunately I got tremendous support and encouragement and great
feedback, so I got through the process relatively unscathed. Some
people have a much tougher time of it than I do." But he says
there was no conscious effort to address his sexuality on the new
disc. "I've always separated those two issues, but I'm sure
it took a lot of subconscious clutter out of my mind. I could be
more free of that kind of baggage..."
|
|
From City
Paper, Philadelphia, October, 2000
Excerpt:
Have you suffered any backlash from the
metal community since you came out as a gay man?
It was a wonderful moment. These last few years
have been extraordinary, to say the least. If you’re straight,
you can’t really perceive what a gay man goes through, but
it’s important to get through the psychological aspect of this
closeted environment and free yourself of a lot of personal
pressure. It just sets you free, and is a wonderful thing to do.
It was a very spontaneous moment, I didn’t put any forethought
to it, it was just something that slipped out while I was doing an
MTV interview. It took a lot of the pressure off of myself. As far
as backlash… there’s been absolutely no fallout from it. It
hasn’t affected my record sales, or my show attendance.… For
some people, it was the worst-kept secret, other people couldn’t
care less. I think that people had to address their own phobic
issues and realize that sexuality has nothing to do with the
music.
|
|
|
|
Names Index:
A B
C D
E F
G H
I J
K L
M N
O P
Q R
S T
U V
W X
Y Z
| Authors
Index | Scholars
Index |
|
|