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Films about Queer History

 

Roni Horn: PI

Roni Horn: PI
by Roni Horn, Andreas Strobl (Editor), Carla Schulz-Hoffmann (Editor)

Roni Horn (1955 - )

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Texts:  Roni Horn
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Roni Horn: Gurgles, Sucks, Echoes.

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Roni Horn (Contemporary Artists)Roni Horn (Contemporary Artists) by Louise Neri, Lynne Cooke, Thierry De Duve, Clarice Lispector, Thierry de Duve

This comprehensive monograph documents the work of Roni Horn, the natural successor to 1960s Minimalists Donald Judd, Sol LeWitt et al, but with a markedly 1980s to 1990s conceptual twist. Horn "disguises" her work as Minimalism, but infuses it with personal poetic references and unexpected emotion. Initially working only in sculpture, in industrial materials in machine-made forms, in recent years the artist has also turned to producing photographs, often of her "adopted" country Iceland, which she has visited regularly for the past 25 years. These photographs capture the subtle changes in lighting and mood in dozens of images of the same subject. Groupings of sculptures and photographs are often drawn together in large installations which, in the barely perceptible changes from one work to the next, demand the viewer's full attention.

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Roni Horn: Another WaterRoni Horn: Another Water by Roni Horn (Photographer)

In this exquisitely produced artist's book, New York artist Roni Horn photographed the River Thames in London, exploring the theme of water as an ever-present, life-creating spiritual and physiological force that influences every undercurrent of our existence. Combining selected text with 47 full color, double-page spreads of the river's ever-changing surface, Horn has inserted footnotes that reference poems, short stories, records of dark and light events that took place in the river or on its shores, as well as the artist's own poetic reflections. An additional level is introduced by interspersed, so-called "Dead Body Reports", collected from the logs of Scotland Yard, that tell incredible and sometimes shocking stories of suicides and accidents whose secrets the River Thames will never fully reveal to us.

About the Author

Roni Horn was born in 1955 in New York. Since earning her MFA from Yale in 1978, her sculptures, installations, and photographs have been shown extensively throughout the world. Previous photography books include the seven-volume project To Place, consisting of: Bluff Life (1990), Folds (1991), Lava (1992), Pooling Waters (1994), Verne's Journey (1995), Haraldsdottir (1996), and Arctic Circles (1998). She lives and works in New York.

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Roni Horn Interview

This interview was held in Basel in June, 1995 shortly after the opening of the two exhibitions at the Museum für Gegenwartskunst and at the Kunsthalle. Whereas the show in the Museum für Gegenwartskunst concentrated on works on paper, in the Kunsthalle show, titled Making Being Here Enough, samples of all the different aspects of the work of Roni Horn were presented... 

   

Citybank Private Bank Photography Award 2001

The American artist Roni Horn was selected for her photographic installation Still Water (The River Thames, for Example). Inspired by the murky waters of The Thames, Still Water (The River Thames, for Example) is a series of large format photographs framed by footnotes of text. Like a chorus of voices resonating from the river, the text draws the viewer towards the surface of the image. Up close to the photographs, the viewer becomes surrounded by eddies and currents, interwoven with fragments of anecdotes and thoughts written by Horn over the course of a year. Describing the work herself, Horn said: 'Much of it was written as reverie, my reverie, evolving quickly into a manic, litany with chorus-like elements... I wrote these notes in the solitude of myself but I did so anticipating your arrival...'

  

Iceland

Excerpt:

Androgyny, desire and the nature of language are constant themes. Her work often employs texts by Emily Dickinson, a poet she has long been fascinated by. The words are inscribed in aluminum columns with plastic letters, installed askew, so that one cannot read then immediately but must move around to reconstitute the lines. Walking and looking become obvious components of reading. Reading is avowedly a physical process, though the words remain immaculate, certain, unlike the uncertain body that moves around them...

  

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