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Una Troubridge  (1887-1963)

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The Trials of Radclyffe Hall

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Radclyffe Hall : A Woman Called JohnRadclyffe Hall : A Woman Called John by Sally Cline

She's best known as the author of The Well of Loneliness, "the one lesbian novel everyone has heard of," feminist scholar Sally Cline wittily remarks. But in her lifetime (1880-1943), Radclyffe Hall was a popular writer who deliberately courted controversy with her fifth novel, banned as obscene in 1928 after one of the 20th century's most notorious literary trials. Cline devotes valuable critical attention to Hall's other books, and to a flamboyant personal life (a virtual who's who of homosexual Britain) that was at odds with her political and religious conservatism.

This biography meticulously analyses the effects on a writer of her readiness to become a martyr to a cause. Contrary to her popular image, each of Radclyffe Hall's seven novels is a serious subterranean spiritual quest. Beginning her career as a poet she wove her inner life around her Catholic conversion. That a Catholic should also be a strong spiritualist was but one of her irreconcilable oppositions. Withdrawn and awkward, she nevertheless found herself in bold and brazen situations. Initially a keen feminist, a member of the Natalie Barney - Djuna Barnes Paris circle and a suffragist supporter, later her domestic life upheld reactionary values of hearth and home. Though she was a passionate believer in sexual loyalty, her blazing acts of infidelity led to her infamous and tormented triangular relationships. The first of these agonizing affairs combined the singer Mabel (Ladye) Batten and the married sculptor Una Troubridge, Colette's original English translator; the second, Una Troubridge (who in the end was her partner for 28 years) and a young White Russian nurse, Evguenia Souline.

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Your John : The Love Letters of Radclyffe Hall (Cutting Edge (New York Univ Pr))Your John : The Love Letters of Radclyffe Hall by Radclyffe Hall, Joanne Glasgow (Editor)

In 1934, after 20 years of a mostly monogamous relationship with Una Troubridge, Radclyffe Hall, author of the notorious lesbian classic The Well of Loneliness, fell in love with someone else. Evguenia Souline, a poor, friendless, Russian exile living in Europe, had 30 years to Hall's 54. To Hall, Souline was the picture of a virgin maiden in distress. Hall's obsessive relationship with Souline, Joanne Glasgow argues in her introduction, precipitated the author's creative and physical decline. These letters to Souline, written between 1934 and 1942, the year Hall died, contain Hall's ideas about the origins of homosexuality, the obligations of marriage and passion, political opinions, and ideas about art. Perhaps most poignantly, they are records of the daily, sometimes hourly, fluctuations of a nervous lover's anxieties and desires. The Radclyffe Hall of these letters is a flawed, vulnerable, utterly human woman who passes through romantic obsession to avuncular concern for a young charge she met late in life.

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Radclyffe Hall and Una Troubridge Papers

Una Troubridge's papers are arranged in four series: Series I, Day Books and Diaries; Series II, Writings; Series III, Personal Papers, and Series IV Writings of Others. Series I begins with Troubridge's sixty-volume set of day books written from the last days of 1930 to June 21, 1943, just months before Hall's death. These books chronicle the day-to-day activities of Hall and Troubridge, reporting everything from mundane weather reports to details of significant events. Written mostly from their home in Rye, Sussex, they also cover other locations during their travels, especially Italy. Troubridge's diaries, which provided basic information for the more detailed day books, cover the years 1934, 1935, 1941, and 1942.

Troubridge's writing in Series II include holograph notebooks on various topics, drafts and galley proofs of Life and Death of Radclyffe Hall published in 1961, and her translations of works by Colette and Matilde Serao...

  

Radclyffe Hall

From The Knitting Circle

Excerpt:

In 1915 Radclyffe Hall fell in love with Mabel Batten's cousin, Una Troubridge (1887-1963), a sculptor who was married to an admiral and had a young daughter. Mabel Batten died in 1915, and in 1917 Radclyffe Hall and Una Troubridge began living together. A black and white photograph showing Radclyffe Hall and Una Troubridge together c1927 is reproduced in Jivani (1997), page 29. A back and white photograph of 37 Holland Street, London, W8 where they lived from 1924 to 1929, and where most of The Well of Loneliness was written, is reproduced in Elliman and Roll, (1986), page 93...

  

Radclyffe Hall

Excerpt:

Mabel Batten died in 1916 and Radclyffe set up home with Batten's cousin, Una Troubridge. The first of Radclyffe Hall's novels 'The Unlit Lamp' was published in 1924, swiftly followed eighteen months later by her second, 'Adams Breed', which won two major literary awards. It was her third, The Well of Loneliness', originally published in 1928 - which ensured Radclyffe Hall's place in literary history.

In her diary, Una recalled how the book could so easily have never been written. 

26th June 1926.

'It was after the success of 'Adam's Breed' that John came to me one day with unusual gravity and asked my decision on a serious matter. She had long wanted to write a book on sexual inversion, a novel that would be accessible to the general public who did not have access to technical treaties. It was her absolute conviction that such a book could only be written by a sexual invert, who alone could be qualified by personal knowledge and experience to speak on behalf of the misunderstood and misjudged minority. She pointed out that in view of our union and all the years that we had shared a home, what affected her must also affect me and that I would be included in any condemnation. Therefore she placed the decision in my hands and would write or refrain as I should decide. My reply was made without so much as an instant's hesitation. I told her to write what was in her heart, that so far as any effect on myself was concerned, I was sick to death of ambiguities, and only wanted to be known for what I was and to dwell with her in the palace of truth.'

  

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