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The Music at Long Verney: Short Stories

The Music at Long Verney: Short Stories
by Sylvia Townsend Warner, Michael Steinman (Editor)

Sylvia Townsend Warner (1893 - 1978)

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This Narrow Place : Sylvia Townsend Warner and Valentine Ackland Life, Letter and Politics, 1930-1951 (Pandora Press Life and Times)

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I'll Stand By You - The Letters of Sylvia TownsendI'll Stand By You - The Letters of Sylvia Townsend by Sylvia Townsend Warner (Editor), Valentine Ackland, Susanna Pinney

Throughout her professional life, Sylvia Townsend Warner was a prolific writer, ranging among biography, novels, short stories, and poetry. As I'll Stand by You, a collection of letters between Warner and her longtime companion, Valentine Ackland, proves, she was equally productive in her personal life as well. The relationship between the two women was a remarkably happy one, and their correspondence reflects this: one won't find much evidence of Sturm und Drang in the letters they wrote to one another during their separations. Instead, there are frequent declarations of love and practical admonishments to dress warmly and eat properly. When Ackland died after nearly 40 years of "marriage," Warner gathered together their voluminous correspondence for publication, connecting the letters with her own narrative and directing her editor to wait until anyone who might be offended by the contents was dead before publishing them.

In addition to voicing the intense passion Warner and Ackland felt for one another, the letters range over a wide variety of topics--from pets to politics. What makes this collection of letters so intriguing is the wit and elegance with which both Warner and Ackland wrote. Their relationship wasn't perfect by any means--there was a lengthy period surrounding World War II during which Valentine fell in love with another woman--but it was securely grounded in love, a fact to which these selected letters stand testament.

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Lolly WillowesLolly Willowes by Sylvia Townsend Warner

Sylvia Townsend Warner began her literary career as a poet, and her first novel is as nimble and precise as poetry and reads as if it might have been composed to a meter. Like some of Jane Austen's fiction, Lolly Willowes is a comedy about the perils, pleasures, and consolations of spinsterhood, and the predicament of its heroine is at first deliberately and deceptively commonplace. "Aunt Lolly, a middle-aging lady, light-footed upon stairs, and indispensable for Christmas Eve and birthday preparations," is nevertheless troubled by vague, indefinable longings, a hankering after the solitude of woods and dark rural places. At last a revelation in a greengrocer's leads her to abandon her outraged London family and take rooms in an obscure hamlet, Great Mop.

Here her neighbors keep curiously late and noisy hours, but otherwise allow her to pass the time "in perfect idleness and contentment." She is eventually pursued into her idyll, however, by her nephew, and Titus's familiar small demands drive her to rage and despair: "No! You shan't get me. I won't go back. I won't.... Oh! Is there no help?" She is promptly visited by a mysterious black kitten, who fastens its claws upon her hand and draws blood. At once she understands. The kitten is her familiar, and has been sent by dark forces. "She, Laura Willowes, in England, in the year 1922, had entered into a compact with the Devil."

She has, in short, become a witch--or, rather, she has rediscovered her own slumbering diabolical potential, in the unlikely setting of a Buckinghamshire hamlet that--as she now realizes--is peopled entirely by witches. Laura soon attends a rollicking but ultimately rather disappointing midnight Sabbath; she is visited by Satan in the shape of a pleasant-faced man in a corduroy coat and gaiters who rids her of Titus and restores her to privacy and peace. She is left with a vision of the women "all over England, all over Europe ... as common as blackberries, and as unregarded" to whom he has offered the promise of adventure, "the dangerous black night to stretch your wings in." It is this vision that lends the novel its subversive edge, that ultimately allies it less with the work of Austen than with that of Virginia Woolf, and with later feminists. They "know they are dynamite," says Laura of Satan's women, "and long for the concussion that may justify them." --Sarah Waters

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Sylvia Townsend Warner Society 

In the twenty years since the death of the distinguished novelist, short story writer and poet Sylvia Townsend Warner (1893-1978) interest has steadily continued to grow in her work. Though she never found favour with the literary or political establishment, her highly original and entertaining view of society is just as potent today as ever, and her satire as mordant.

A Society was formed in January 2000, to celebrate all aspects of her life and work, and it has a growing membership. 

 

Sylvia Nora Townsend Biography

Excerpt:

Sylvia Nora Townsend Warner was born on December 6, 1893, in Devon, England, the only child of George Townsend Warner, a schoolmaster, and Nora Huddleston Warren. Educated at home, she moved to London in 1917 to pursue a career in musicology, serving as one of the editors of the ten-volume study Tudor Church Music...

 

Guide to the Sylvia Townsend Warner Papers

Finding aid to the Sylvia Townsend Warner Papers at The New York Public Library.  Site includes a short biography.

 

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