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Monique Wittig
1935 - 2003
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The
Lesbian Body by
Monique Wittig, David LeVay (Translator), Margaret
Crosland (Designer) This book is not an
easy read, either content-wise or stylistically, but it is one of
the most satisfying books I have read. Monique Witting is a
radical feminist who believes that langugae itself must be
reinvented to better serve the experience of women, and this book
is her attempt to do so. She describes in painful, clinical detail
the bonding of two women lovers---their very viscera entwining and
disentangling as the relationship ebbs and flows. It is remarkable
how we all use phrases like "we were totally bonded"
without thinking--this book examines such concepts on a
literal(and often unpleasant) level. It is difficult to find, but
worth getting for anyone interested in extremely radical notions
of language and also in truly deep exploration of the extremities
of love. -- Cheryl Johnston
Fragments
of Desire: Sapphic Fictions in Works by H.D., Judy Grahn, and
Monique Wittig by Johanna Dehler Tracing
the influence of Sappho's fragmented literary legacy on three
20th-century women writers - H.D., Judy Grahn, and Monique Wittig
- this book discusses 'Sapphic fiction' as a genre that emerged
throughout the 20th century. H.D., Grahn, and Wittig represent
three movements that have shaped the approach to the sexual
subject and her desires: modernism, cultural feminism, and
poststructuralism respectively. H.D. responds to Sappho with an
imagistic style that resembles Sappho's terse and clipped lines.
Grahn recreates the idea of Lesbos as a model for a women-centered
society. Wittig, writing from a poststructuralist background,
alludes to Sappho in her fierce critique of myth and language.
This study draws on recent debates about the history of sexuality,
the body, and the construction of the self, and is meant as a
contribution to the ongoing debate on how gender is constructed in
modernist and postmodernist discourse.
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Obituary, January 6, 2003
Monique Wittig,
French novelist, poet and social theorist, born July 13, 1935 in
Alsace, France, died January 3, 2003 in Tucson, Arizona. Wittig's
first novel,
The Opoponax (1964), brought her major critical acclaim and the
coveted Prix Medicis. As a founding leader in the French feminist
movement, Wittig's literary and theoretical works were recognized as
essential contributions to feminist thought in Europe and the U.S.
and to the emerging movement for lesbian and gay rights. After
moving to the U.S. in the mid-1970s, Wittig held a number of
university teaching positions, and was currently a professor in
Women's Studies and French at the University of Arizona, Tucson.
Wittig's work
has had a fundamental impact upon feminist theory and lesbian and
gay theory worldwide. Her novels, including
Les Guérillères (1969),
The Lesbian Body (1973),
Lesbian Peoples: Materials for a Dictionary
(co-authored with Sande Zeig, 1975), and
Virgile, non (1984, translated as
Across the Acheron in 1987) combine a sensitivity to
the nuances of language and style with a powerful illustration of
her philosophy of lesbian materialism, a theoretical position she
set forth in a series of essays collected in
The Straight Mind (1992), a term she coined. Her work
has been translated into a dozen languages, including German, Dutch,
Finish, Japanese, and Spanish. Her collaboration with Zeig resulted
in the imaginative staging of her play The Constant Journey
(1985) in the U.S. and in Paris, and most recently a feature film
based on her short story, The Girl (2001), directed by
Sande Zeig.
Wittig is
survived by her partner, Sande Zeig, mother, Maria Wittig, sister,
Gilberte Wittig, and niece, Dominique Samson.
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By Felice Aull, Ph.D., New York University
Excerpt:
Wittig re-imagines the act of love, the
boundaries of the body, and masculine language. The lovers
literally take apart each other's bodies as an act of love:
"I see your bones covered with flesh the iliacs the kneecaps
the shoulders. I remove the muscles . . . I take each one between
my fingers the long muscles the round muscles the short muscles .
. . . "
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By Mitterbacher Doris
Excerpt:
In her essays "The Category of Sex"
and "One Is Not Born a Woman" Monique Wittig questions
the concept of male/female categories. The difference of sex is
stressed in our society and said to be "natural" , that
is, preexisting and therefore outside of society. This concept
prevents people from questioning those categories. But by not
questioning this "natural" difference women give away
the chance to rebel against a society where they have to do 3/4 of
public and private work and where they have to surrender to male
authority. In a heterosexual society they have to accept that they
are reduced from individuals to their sex. They have to be
sexually available all the time, their bodies have to be visible
and so they have to refrain a smiling face. By the marriage
contract they have been given to a husband who has the right to
demand unpaid work (housework, raising of children) and other
obligations (cohabitation, forced coitus,...)...
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| Wittig,
Monique - Mazarella Resource Page
Offers a highlighted biographical chronology, a
series of quotes including her noted, "lesbians are not
women," and a list of sources.
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Names Index:
A B
C D
E F
G H
I J
K L
M N
O P
Q R
S T
U V
W X
Y Z
| Authors
Index | Scholars
Index |
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